Ph.D., Music Theory, University of Texas at Austin, 2015
M.M., Music Theory, University of Texas at Austin, 2010
B.S., Music Education, Penn State University, 2008
Music Theory II, III, IV
Music in Western Culture
Virtual Agency, Narratology, Semiotics, Topic Theory, Beethoven, Chopin
Forthcoming. Quasi una Fantasia: Virtual Agency in a Chopin Nocturne.” In Making Waves: West Coast Perspectives of Pitch, Narrative, and Form, ed. Jack Boss and Andrew Aziz. Cambridge Scholars.
2018. Review of Sonic Space in Djibril Diop Mambety’s Films, by Vlad Dima. Notes: The Quarterly Journal of the Music Library Association 74.3: 457-60.
2014. “Observing and Gazing Gestures in Music.” In Semiotics 2014: Paradoxes of Life, ed. Jamin Pelkey, Stéphanie Walsh Matthews, and Leonard G. Sbrocchi, 501-10. Ottawa: Legas Publishing.
2010. “Seriously Funny, or Beethoven as Humorist.” In Semiotics 2009: The Semiotics of Time, ed.
Karen A. Haworth, Jason Hogue, and Leonard Sbrocchi, 153-61. Ottawa: Legas Publishing.
“What Harold Saw in Italy: A Case for Narrative Agency.” Presented at the West Coast Conference of Music Theory and Analysis, University of British Columbia, May 3-5, 2019.
“Quasi una Fantasia: Virtual Agency in a Chopin Nocturne.” Penn State University, April 12, 2019.
“Participants and Observers: The Potentials of Virtual Agency in Music.” SUNY Fredonia, April 23, 2018.